Understanding the Emotion
Prior to the commencement of filming, editor Myron Kerstein delves into the script's narrative, seeking an emotional connection. He endeavors to comprehend the emotions elicited by the script, believing that emotional resonance is crucial in producing a compelling film.
Emotional Impact of "Wicked"
Upon initially encountering the "Wicked" script, Kerstein experienced deep emotions, particularly during its conclusion. He aspired to capture this emotional impact throughout the film-making process.
Interpreting the Ozdust Ballroom
A significant moment in "Wicked," the friendship between Elphaba and Glinda originates in the Ozdust Ballroom. Kerstein emphasizes the challenge of translating this moment from script to screen, highlighting the need for emotional connection through visuals.
Embracing the Complexity
To effectively convey the complex friendship between Elphaba and Glinda, Kerstein and director Jon M. Chu meticulously collaborated. They recognized the pivotal nature of this scene and its potential for defining the film.
Exploring Multiple Perspectives
The portrayal of Elphaba's initial social isolation required careful handling. Kerstein aimed to evoke empathy from multiple perspectives, including Elphaba's, Glinda's, and even the bullies.
Interplay of Visual Elements
Kerstein strategically employs point-of-view switches, pacing, and silence to create a dynamic and immersive visual experience.
Finding the Rhythm in "Anora"
For "Anora," editor and director Sean Baker fused the writing, directing, and editing processes. Writing transitions and cuts into the screenplay allowed for flexibility in post-production, facilitating the discovery of compelling scenes.
Blurring the Lines in "Conclave"
Nick Emerson, editor of "Conclave," intentionally avoided reading the source novel to fully immerse himself in the script's cinematic potential. He draws inspiration from classic thrillers, aspiring to emulate their suspenseful pacing and meticulous editing techniques.
Minimalism in "Emilia Pérez"
Juliette Welfling's editing approach for "Emilia Pérez" prioritized emotional flow over genre conventions. By embracing an organic approach, she sought to maintain the film's cohesion and convey the performers' emotions.
Evolving Vision in "The Brutalist"
Dávid Jancsó, editor of "The Brutalist," describes being captivated by the script's ambition. The editing process evolved in response to the performances, cinematography, and moments of vulnerability that emerged during production. The final cut, he explains, emphasizes organic flow and emotional depth.
Recognizing the Role of Editing
Baker advocates for greater recognition of editors and the significance of editing in filmmaking. He believes that editing deserves equal prominence to writing and directing, as it possesses the power to transform an unremarkable film into a masterpiece.