"Köln 75": Unveiling the Woman Behind Jazz History's Monumental Moment
In 1975, Vera Brandes, an 18-year-old student and promoter, orchestrated a pivotal concert for Keith Jarrett in Cologne. The resulting recording, "The Köln Concert," became history's best-selling solo jazz album.
Rediscovering Vera's Role
Half a century later, director Ido Fluk's film "Köln 75" sheds light on Brandes's remarkable contribution. Fluk was inspired by an article mentioning her minimal recognition despite her profound impact. He recognized an opportunity for a captivating cinematic narrative.
Keith Jarrett's Perspective
While the film highlights Brandes's role, Jarrett and his camp declined involvement, expressing reluctance to acknowledge her. However, Chris Jarrett, the musician's brother, endorsed the script, acknowledging its accuracy. Fluk emphasizes the need to grant Brandes the recognition she deserves.
Navigating Copyright Restrictions
The film's portrayal of the Cologne music scene in the 1970s incorporates diverse genres, such as Can, Neu!, and Kraftwerk. To navigate copyright restrictions, Fluk strategically showcases Jarrett's music by utilizing fragments of compositions that he has released publicly.
A Call to Appreciation
Fluk's objective is to inspire audiences to revisit "The Köln Concert," paying homage to Jarrett's artistry and recognizing Brandes's pivotal role in its creation. He encourages the exploration of her legacy as the often-overlooked catalyst behind jazz history's defining moment.