Original Score in Oscar Nominations: Songs, Underscores, or Both?
In the Oscars' "Original Score" category, a question lingers: What is truly being recognized? Is it the songs, the background music, or the entire musical landscape of the film?
A Historical Dilemma
Alan Menken's eight Oscar wins for "Original Score" exemplified this dilemma. These awards recognized not only his songs but also the dramatic music between vocals in Disney animated musicals like "The Little Mermaid" and "Beauty and the Beast."
Contemporary Considerations
This year, "Emilia Perez" and "Wicked" have earned original score nominations. Both films incorporate substantial music, with "Wicked" featuring only 33% of its music as songs and "Emilia Perez" having 40% of its score as songs.
Relaxed Rules and Musical Blends
In the past, Academy rules disqualified musicals with excessive song use. However, the music branch has recently adopted a more lenient approach. "Wicked" and "Emilia Perez" both passed muster due to the sheer quantity of music involved.
Collaboration and Inspiration
Composer John Powell collaborated with songwriter Stephen Schwartz on "Wicked." Powell sought to harmonize with Schwartz's musical style while keeping the score aligned with the filmmakers' vision. They recorded a 60-voice choir at the Sony scoring stage, paying homage to the original "Wizard of Oz" score.
Vocal Experimentation
"Emilia Perez" composer Camille incorporated her own vocal sounds into the score. She sang as a choir and used audible breaths to create a unique and immersive musical experience. A Mexican choir also contributed to the score.
A Balance of Vocal and Instrumental
"Emilia Perez" meets the Oscar requirement of 35% score percentage, with 60% of its music consisting of vocals. This balance reflects the film's innovative use of vocal sounds to create a compelling musical tapestry.