VistaVision Resurgence: Oscar-Nominated Cinematographers Embrace Classic Film Process

In an era characterized by home streaming, cinematographer Lol Crawley's Oscar nomination for "The Brutalist," shot on VistaVision, showcases the enduring appeal of classic film processes. Developed in 1954 by Paramount Pictures, VistaVision was designed to lure audiences away from television and into theaters.

Distinguished by its wide format and reduced reliance on wide-angle lenses, VistaVision has graced iconic films such as "The Searchers," "The Ten Commandments," and "Vertigo." In contrast to CinemaScope's anamorphic lens compression, VistaVision horizontally pulls film across eight perforations at a time, resulting in a larger image without compromising field of view.

Modern Adaptations and Vintage Techniques

While VistaVision exemplifies the resurgence of classic techniques, Oscar-nominated cinematographers like Greig Fraser on "Dune: Part Two" leverage cutting-edge digital cameras. Fraser utilized natural light to authenticate a visceral sandworm ride, emphasizing the film's organic and immersive qualities.

Paul Guilhaume's lighting design for "Emilia Pérez" mirrors the protagonist's transformative journey. Darkness evokes the character's initial isolation, while brighter illumination signifies empowerment and optimism. The film's ultimate descent into darkness underscores the narrative's arc.

Camera Movements and Lighting Effects

Jarin Blaschke, nominated for his cinematography in Robert Eggers' "Nosferatu," employs camera movements and lighting effects to create a disorienting and suspenseful atmosphere. The first glimpse of Count Orlok appears in darkness and fragmented form, instilling unease in viewers.

For Pablo Larrain's "Maria," Edward Lachman utilizes a fluid camera and diverse film stocks to capture the dramatic essence of an opera performance. Color and movement are employed to evoke heightened reality, immersing the audience in Maria Callas's world.

The resurgence of classic techniques and the innovative applications of modern technologies demonstrate the enduring versatility of the cinematic medium, offering filmmakers a wide range of expressive tools to tell compelling stories.